there are monsters in children's closets—it's their job. Monsters, Inc. is
the most successful scream-processing factory in the monster world, and there is no better scarer than James P. Sullivan. But when "Sulley" accidentally lets a human girl into Monstropolis, life turns upside down
for him and his buddy Mike.
sure of as kids—besides the fact that our toys came to life when we weren’t around—it was that there were monsters in our closets…just waiting for the right moment to come out and scare the daylights out of us,“ says director Pete Docter.
What doesn’t occur to most kids is that monsters scare children simply because it’s their job. As the filmmakers envisioned a world
of monsters with everyday lives, the story of Monsters, Inc. took off.
James P. Sullivan and Mike Wazowski the most prestigious job in Monstropolis—Kid Scarer—the filmmakers needed to find the right kid to scare. The character of Boo only emerged after several story changes. “Ultimately we needed the kid to be as cute and appealing as it gets, and we decided it’s hard to beat a two-year-old girl for that,” explains Pete Docter.
a closet door is one of the few things capable of keeping monsters at bay. With this simple dividing line, the Pixar team created worlds for both sides of the door. Each side had its own rules, the most important of which was forbidding anything from the human world to cross into the monster world.
did Billy Crystal turn down? How do you get Sulley’s hair to behave in a snowstorm? What exactly is the business model for the Monsters, Inc. corporation? Does a chimpanzee really work at Pixar? Go behind the scenes for more Monsters, Inc. insights.
the sound design team got to create an entire world from scratch. Some sounds came easy; Monstropolis had the same chirping birds as most cities. Other sounds—like a massive conveyance system of multidimensional doors—proved more difficult. And some sounds were aimed at the subconscious. Careful listeners will notice that the cars of Monstropolis are indeed powered by children's screams.
Academy Awards 2001
Winner for Best Music (Original Song): "If I Didn't Have You" - Randy Newman
Winner for Sound Editing: Gary Rydstrom, Michael Silver
Nominated for Best Animated Feature Film: Pete Docter, John Lasseter
Nominated for Best Music (Original Score): Randy Newman
AC Nielsen EDI 2001
Gold Reel Recognition: Pete Docter
Annie Awards 2002
Winner for Outstanding Character Animation: Doug Sweetland
Nominated for Outstanding Achievement in an Animated Theatrical Feature
Nominated for Outstanding Character Animation: John Kahrs
Nominated for Outstanding Character Design in an Animated Feature Production: Ricky Nierva
Nominated for Outstanding Directing in an Animated Feature Production: Pete Docter, Lee Unkrich & David Silverman
Nominated for Outstanding Music in an Animated Feature Production: Randy Newman
Nominated for Outstanding Production Design in an Animated Feature Production: Harley Jessup
Nominated for Outstanding Writing in an Animated Feature Production: Andrew Stanton & Daniel Garson
Ars Electronica 2001
Awarded Golden Nica: Andrew Stanton, Lee Unkrich, Pete Docter, David Silverman
The British Academy of Film and Television Arts 2001-2002
Winner for Children's - Feature Film: Darla K. Anderson, Pete Docter, Andrew Stanton, Daniel Gerson
Christian Movie Guide Awards
Awarded Christian Movie Guide Award, Best of 2001
Golden Trailer Awards
Awarded Golden Trailer Award
Grammy Awards 2002
Nominated for Best Score Soundtrack for a Motion Picture, Television or Other Visual Media: Randy Newman
Winner for Best Musical Album For Children ("Scream Factory Favorites): Riders In the Sky
Nominated for Best Spoken Word Album for Chldren Monsters, Inc. DVD Read Along
Nominated for Best Instrumental Composition Written For A Motion Picture, Television Or Other Visual media ("Ride of the Doors") : Randy Newman
Winner for Best Song Written for a Motion Picture, Television or Other Visual Media ("If I Didn't Have You"): Randy Newman, songwriter
DIRECTED BY
Pete Docter
Co-DIRECTED BY
Lee Unkrich, David Silverman
PRODUCED BY
Darla K. Anderson
EXECUTIVE PRODUCERS
John Lasseter, Andrew Stanton
ASSOCIATE PRODUCER
Kori Rae
ORIGINAL STORY BY
Pete Docter, Jill Culton, Jeff Pidgeon, Ralph Eggleston
SCREENPLAY BY
Andrew Stanton, Daniel Gerson
MUSIC BY
Randy Newman
FILM EDITOR
Jim Stewart
SUPERVISING TECHNICAL DIRECTOR
Thomas Porter
PRODUCTION DESIGNERS
Harley Jessup, Bob Pauley
ART DIRECTORS
Tia W. Kratter, Dominique Louis
STORY SUPERVISOR
Bob Peterson
SUPERVISING ANIMATORS
Glenn McQueen, Rich Quade
MODELING SUPERVISOR
Eben Ostby
SHADING SUPERVISOR
Rick Sayre
LIGHTING SUPERVISOR
Jean-Claude J. Kalache
LAYOUT SUPERVISOR
Ewan Johnson
SET DRESSING SUPERVISOR
Sophie Vincelette
SIMULATION & EFFECTS SUPERVISORS
Galyn Susman, Michael Fong
PRODUCTION SUPERVISOR
Katherine Sarafian
SOUND DESIGNER
Gary Rydstrom
EXECUTIVE MUSIC PRODUCER
Chris Montan
CASTING BY
Ruth Lambert-C.S.A, Mary Hidalgo-Associate, Matthew Jon Beck-Associate
CAST
Mike
Billy Crystal
Sullivan
John Goodman
Boo
Mary Gibbs
Randall
Steve Buscemi
Waternoose
James Coburn
Celia
Jennifer Tilly
Roz
Bob Peterson
Yeti
John Ratzenberger
Fungus
Frank Oz
Smitty
Daniel Gerson
Needleman
Daniel Gerson
Floor Manager (Jerry)
Steve Suskind
Flint
Bonnie Hunt
Bile
Jeff Pidgeon
George
Sam "Penguin" Black