a 78-year-old curmudgeonly balloon salesman, is not your average hero. When he ties thousands of balloons to his house and flies away to the wilds of South America, he finally fulfills his lifelong dream of adventure. But after Carl discovers an 8-year-old stowaway named Russell, this unlikely duo soon find themselves on a hilarious journey in a lost world filled with danger and surprises.
in Up without the love story between Carl and Ellie. Because the romance spanned a lifetime, the challenge was condensing the story. The filmmakers chose to look back at life the way we often do, in silent snippets of home movies, including the seemingly mundane moments that speak volumes. The filmmakers believed audiences had to love Ellie in order to understand Carl. And only then would they go along for the ride.
literally took shape on the page. Believing that basic visual cues convey much about personality, the filmmakers boiled the characters down to their physical essence. Carl was shaped a brick, weighed down and resistant to change. Russell was shaped like an upside-down egg, innocent, unfinished, and optimistic.
began with the thought of escape. From the claustrophobic shapes of an encroaching cityscape to the uncharted wilds of South America, from Muntz's half-mile long dirigible to Carl's uniquely mobile home, the Pixar team employed its newly invented concept of "simplexity" to push the visual envelope while keeping the world believable.
of Up, Michael Giacchino found himself writing to the character rather than the plot, from "Muntz's Theme," which opens the film with the heroic strains of a 1930s newsreel, to "Ellie's Theme," a simple piano motif that grows dramatically over the film. Giacchino and Up won the 2010 Academy Award® for Best Original Score.
to open the 2010 Festival de Cannes, it became the first animated film to earn the coveted slot. The Pixar team found the moment on the Promenade de la Croisette to be surreal. “When we think of Cannes, I always think Alfred Hitchcock and all of these terrific directors,” said director Pete Docter. “What are we doing here?”
3D Society
Winner of the Stereoscopic 3D Lumiere Award for Animated 3D Feature
Academy Awards
Winner for Animated Feature Film: Pete Docter
Winner for Music (Original Score): Michael Giacchino
Nominated for Best Picture: Jonas Rivera
Nominated for Writing (Original Screenplay): Screenplay by Bob Peterson, Pete Docter. Story by Pete Docter, Bob Peterson, Tom McCarthy
American Film Institute
American Film Institute (AFI) Top Ten Movie of the Year
Annie Awards
Winner for Best Animated Feature
Winner for Directing in a Feature Production: Pete Docter
Winner, Ub Iwerks Award: Bill Reeves
Nominated for Animated Effects: Eric Froemling
Nominated for Character Animation in a Feature Production: Daniel Nguyen
Nominated for Character Design in a Feature Production: Daniel Lopez Muñoz
Nominated for Music in a Feature Production: Michael Giacchino
Nominated for Storyboarding in a Feature Production: Ronnie del Carmen
Nominated for Storyboarding in a Feature Production: Peter Sohn
Nominated for Writing in a Feature Production: Pete Docter, Bob Peterson, Tom McCarthy
Casting Society of America
Winner of Artios Award for Animation Feature
UK Regional Journalists Award
Winner of Attenborough Award for Best Film
Austin Film Critics Association
Winner for Best Animated Feature
Winner for Best Original Score: Michael Giacchino
British Academy of Film and Television Arts
Winner for Animated Film: Pete Docter
Winner of EA British Academy Children's Award for Best Feature Film:
Jonas Rivera, Pete Docter
Nominated for Music: Michael Giacchino
Nominated for Original Screenplay: Bob Peterson, Pete Docter
Nominated for Sound: Tom Myers, Michael Silvers, Michael Semanick
Chicago Film Critics Association
Winner for Best Animated Feature
Winner for Best Original Score: Michael Giacchino
Broadcast Film Critics Association
Winner of Critics Choice Award for Best Animated Feature
Nominated for Critics Choice Award for Best Picture
American Cinema Editors
Winner of Eddie for Best Edited Animated Feature Film: Kevin Nolting
Motion Picture Sound Editors Winner of Golden Reel for Best Sound Editing:
Sound Effects, Foley, Music Dialogue and ADR Animation in a Feature Film
Golden Globe Awards
Winner for Best Animated Feature Film
Winner for Best Original Score - Motion Picture: Michael Giacchino
Golden Tomato Awards
Winner for Best-Reviewed Wide Release Film
Grammy Awards
Winner for Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media: Michael Giacchino, composer
Winner for Best Instrumental Composition: Married Life from Up: Michael Giacchino, composer
Winner for Best Instrumental Arrangement: Michael Giacchino, arranger
Houston Film Critics Award
Winner for Best Animated Feature
Winner for Best Original Score: Michael Giacchino
Hollywood Film Festival
Winner for Animation
Hollywood Post Alliance Awards
Nominated for Outstanding Audio Post - Feature Film: EJ Holowicki and Tom Myers, Michael Silvers and Michael Semanick from Skywalker Sound
IGN.com
Winner for Best Animated Movie of the Summer: Pete Docter and Jonas Rivera
Los Angeles Film Critics Association
Nominated for Animation
Movieguide
Winner of Faith & Values Award for Best Movie for Families
National Board of Review
Winner for Best Animated Feature
NBR Ten Best Films
Norwegian International Film Festival
Winner of The Audience Award: Pete Docter, Bob Peterson
People's Choice Award
Winner for Favorite Family Movie
Phoenix Film Critics Society
Winner for Best Screenplay Written Directly for Film
Winner for Best Animated Film
Winner for Best Original Score
Producers Guild of America
Winner of PGA Producer of the Year Award in Animated Theatrical Motion Pictures: Jonas Rivera
Nominated for Darryl F. Zanuck Producer of the Year Award in the Theatrical Motion Pictures: Jonas Rivera
Spike TV Scream Awards
Nominated for The Ultimate Scream
Nominated for Best Fantasy Actor: Ed Asner
Nominated for Best Director: Pete Docter, Bob Peterson
Nominated for Best Scream-Play
Visual Effects Society
Winner for Outstanding Animation in an Animated Feature Motion Picture: Gary Bruins, Effects Supervisor, Pete Docter, Director, Steve May, Supervising Technical Director, Jonas Rivera, Producer
Winner for Outstanding Animated Character in an Animated Feature Motion Picture: Carl - "No Dad Scene," Ed Asner, Voice of Carl, Carmen Ngai, Charater Cloth Artist, Brian Tindall, Character Modeling and Articulation Artist, Ron Zorman, Animator
Winner of George Meiles Award: Ed Catmull
Washington, D.C. Area Film Critics Association
Winner for Best Animated Film
DIRECTED BY
Pete Docter
CO-DIRECTED BY
Bob Peterson
PRODUCED BY
Jonas Rivera
EXECUTIVE PRODUCERS
John Lasseter, Andrew Stanton
ASSOCIATE PRODUCER
Denise Ream
STORY BY
Pete Docter, Bob Peterson, Tom McCarthy
SCREENPLAY BY
Bob Peterson, Pete Docter
MUSIC BY
Michael Giacchino
STORY SUPERVISOR
Ronnie del Carmen
FILM EDITOR
Kevin Nolting
PRODUCTION DESIGNER
Ricky Nierva
PRODUCTION MANAGER
Mark Nielsen
SUPERVISING ANIMATOR
Scott Clark
DIRECTOR OF PHOTOGRAPHY - CAMERA
Patrick Lin
DIRECTOR OF PHOTOGRAPHY - LIGHTING
Jean-Claude Kalache
CHARACTER SUPERVISOR
Thomas Jordan
SETS SUPERVISOR
John Halstead
EFFECTS SUPERVISOR
Gary Bruins
SIMULATION & CROWDS SUPERVISOR
John Pottebaum
SHADING ART DIRECTION
Bryn Imagire
RENDERING SUPERVISOR
Humera Yasmin Khan
SOUND DESIGNER
Tom Myers
PRE PRODUCTION PRODUCER
Kori Rae
POST PRODUCTION SUPERVISOR
Paul Cichocki
CASTING BY
Kevin Reher, Natalie Lyon
CAST
Carl Fredricksen
Ed Asner
Charles Muntz
Christopher Plummer
Russell
Jordan Nagai
Dug
Bob Peterson
Beta
Delroy Lindo
Gamma
Jerome Ranft
Alpha
Bob Peterson
Construction Foreman Tom
John Ratzenberger
Newsreel Announcer
David Kaye
Young Ellie
Elie Docter
Young Carl
Jeremy Leary
Police Officer Edith
Mickie T. McGowan
Worker Steve
Danny Mann
Construction Worker Steve
Danny Mann
Nurse George
Don Fullilove
Omega
Josh Cooley
Camp Master Strauch
Pete Docter