Earth and somebody forgot to turn the last robot off? After hundreds of years doing what he was built for, WALL•E discovers a new purpose in life when he meets a sleek search robot named EVE. EVE comes to realize that WALL•E has inadvertently stumbled upon the key to the planet's future, and races back to space to report to the humans. Meanwhile, WALL•E chases EVE across the galaxy and sets into motion one of the most imaginative adventures ever brought to the big screen.
robot on an abandoned Earth was the inspiration that launched WALL•E. The rest, admits director/writer Andrew Stanton, was an open book. The Pixar team began adding elements, including a space adventure and a love story, while telling the narrative with as little dialogue as possible. As the film evolved, the storytellers probed a more human question: are you just going to follow your programming, or are you going to take a chance?
that WALL•E should owe a silent debt to both R2-D2 and Buster Keaton, cinematic predecessors who proved how much can be conveyed without words. The robot would be the loneliest character Pixar had worked with, and the filmmakers crafted ways for him to perform the first act entirely in pantomime.
involves a fantasy tale, often set in space or the future: therefore, everything (and I mean everything) is made up. And almost every member of our cast is a robot. The questions and demands of this world were nearly as infinite as space itself. But the goal was always clear—to make us believe this world already existed and that we, the filmmakers, had just simply found it," recalls director Andrew Stanton.
yet to exist, WALL•E required an entirely original language of sound. Because the film featured few humans and almost no traditional dialogue, every beep or clank would have to mean something. To answer the challenge, the filmmakers turned to the father of modern sound design legendary Star Wars veteran Ben Burtt.
featured scenes with live actors. While the
studio had broken all kinds of ground in computer animation,
the prospect of working on a traditional live-action set was
enough to get the crew excited. Along with the rare chance to
coach performances and see immediate results, the Pixar team
was able to enjoy some serious catering.
Academy Awards
Winner for Animated Feature Film: Andrew Stanton
Nominated for Music (Original Score): Thomas Newman
Nominated for Music (Original Song): "Down to Earth" - Music by Peter Gabriel and Thomas Newman; Lyrics by Peter Gabriel
Nominated for Sound Editing: Ben Burtt and Matthew Wood
Nominated for Sound Mixing: Tom Myers, Michael Semanick and Ben Burtt
Nominated for Writing (Original Screenplay): Andrew Stanton, Jim Reardon, Original story by Andrew Stanton, Pete Docter
Academy of Science Fiction Fantasy & Horror Films
Nominated for Saturn Award for Best Animated Film: Walt Disney Studios
Nominated for Saturn Award for Best Director: Andrew Stanton
Alliance of Women Film Journalists
Winner of EDA Award for Best Screenplay, Original: Andrew Stanton,
Pete Docter, Jim Reardon
American Cinema Editors
Winner of ACE Eddie Award for Best Edited Feature Film (Comedy or Musical): Stephen Schaffer
American Film Institute
Official Selection — AFI Movies of the Year
Annie Awards
Nominated for Best Animated Feature: Pixar Animation
Nominated for Best Animated Video Game: Heavy Iron Studios, a division of THQ, Inc.
Nominated for Animated Effects: Enrique Vila
Nominated for Character Animation in a Feature Production: Victor Navone
Nominated for Directing in an Animated Feature Production: Andrew Stanton
Nominated for Production Design in an Animated Feature Production:
Ralph Eggleston
Nominated for Storyboarding in an Animated Feature Production:
Ronnie del Carmen
Nominated for Voice Acting in an Animated Feature Production: Ben Burtt - Voice of Wall-E
Art Director's Guild & Scenic, Title & Graphic Artists
Nominated for Excellence in Production Design for a Feature Film: Fantasy Film: Ralph Eggleston (production designer)
British Academy of Film and Television Arts
Winner for Animated Film: Andrew Stanton
Winner for Feature Film: WALL-E (Jim Morris, Andrew Stanton, Pixar/Walt Disney Studios Motion Pictures UK)
Nominated for Music: Thomas Newman
Nominated for Sound: Ben Burtt, Tom Myers, Michaeel Semanick,
Matthew Wood
The Boston Society of Film Critics
Winner for Best Picture: WALL-E and Slumdog Millionaire (tie)
Winner for Best Animated Film
Broadcast Film Critics Association
Winner of Critics' Choice Award for Best Animated Feature
Nominated for Critics' Choice Award for Best Picture
Nominated for Critics' Choice Award for Best Song: "Down to Earth"
(Performed by Peter Gabriel, written by Peter Gabriel and Thomas Newman)
Nominated for Critics' Choice Award for Film of the Year
The Chicago Film Critics Association
Winner for Best Picture
Winner for Best Original Screenplay: Andrew Stanton and Jim Reardon
Winner for Best Animated Feature
Winner for Best Original Score: Thomas Newman
Nominated for Best Director: Andrew Stanton
Golden Globe Awards
Winner for Best Animated Feature Film
Nominated for Best Original Song: "Down to Earth" - performed by
Peter Gabriel, written by Peter Gabriel and Thomas Newman
Grammys
Winner for Best Song Written for Motion Picture, Television or Other Visual Media: Peter Gabriel & Thomas Newman, songwriters
Winner for Best Instrumental Arrangement (Define Dancing): Peter Gabriel & Thomas Newman, arrangers (Thomas Newman)
Nominated for Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media: Thomas Newman, composer
Hollywood Film Festival
Winner for Animation of the Year
International Press Academy
Winner of Satellite Award for Motion Picture, Animated or Mixed Media
Nominated for Satellite Award for Original Score: Thomas Newman
Nominated for Satellite Award for Sound (Mixing and Editing): Ben Burtt, Matthew Wood
Nominated for Satellite Award for Original Song: "Down to Earth" -
Peter Gabriel
Kansas City Film Critics Circle
Winner of Loutzenhiser Award for Best Animated Film
Los Angeles Film Critics Association
Winner for Best Picture
Motion Picture Sound Editors Association
Winner of Golden Reel Award for Best Sound Editing: Sound Effects, Foley, Dialogue and ADR Animation in A Feature Film
National Board of Review
Top Ten Films of the Year
Winner for Best Animated Feature
National Movie Award
Winner for Best Family Film
New York Film Critics Circle
Winner for Best Animated Film
Oklahoma Film Critics Circle
Top Ten Movies of the Year
Winner for Best Animated Film
Producers Guild of America Awards
Winner of Producer of the Year Award: Animated Theatrical Motion Pictures: Jim Morris
Rolling Stone Magazine
Voted #5 movie of the year by Rolling Stone film critics
Spike TV
Winner of Scream Award for Best Breakout Performance
St. Louis Film Critics Asssociation
Winner for Best Animated Film
Nominated for Best Picture
Nominated for Most Original, Innovative or Creative Film
Nominated for Best Music (Soundtrack or Score, Original or Adapted)
Utah Film Critics Association
Winner for Best Achievement in Directing: Andrew Stanton
Winner for Best Animated Feature
Visual Effects Society
Winner for Outstanding Performance by an Animated Character in a Live Action Motion Picture: WALL-E and EVE Truck Sequence: Ben Burtt,
Victor Navone, Austin Lee, Jay Shuster
Winner for Outstanding Animation in an Animated Motion Picture:
Andrew Stanton, Jim Morris, Lindsey Collins, Nigel Hardwidge
Winner for Outstanding Effects Animation in an Animated Feature Motion Picture: Effects in WALL-E: Jason Johnston, Keith Daniel Klohn, Enrique Vila,
Bill Watral
World Soundtrack Academy / Ghent International Film Festival
Winner for Best Original Song Written Directly for Film
Vancouver Film Critics Circle
Nominated for Best Film
DIRECTED BY
Andrew Stanton
PRODUCED BY
Jim Morris
CO-PRODUCED BY
Lindsey Collins
EXECUTIVE PRODUCER
John Lasseter
ASSOCIATE PRODUCER
Thomas Porter
ORIGINAL SCORE COMPOSED & CONDUCTED BY
Thomas Newman
ORIGINAL STORY BY
Andrew Stanton, Pete Docter
SCREENPLAY BY
Andrew Stanton, Jim Reardon
PRODUCTION DESIGNER
Ralph Eggleston
FILM EDITOR
Stephen Schaffer
SUPERVISING TECHNICAL DIRECTOR
Nigel Hardwidge
SUPERVISING ANIMATORS
Alan Barillaro, Steven Clay Hunter
DIRECTOR OF PHOTOGRAPHY - CAMERA
Jeremy Lasky
DIRECTOR OF PHOTOGRAPHY - LIGHTING
Danielle Feinberg
SOUND & CHARACTER VOICE DESIGNER
Ben Burtt
PRODUCTION MANAGER
Andrea Warren
CHARACTER ART DIRECTOR
Jason Deamer
SETS ART DIRECTOR
Anthony Christov
SHADER ART DIRECTOR
Bert Berry
GRAPHICS ART DIRECTOR
Mark Cordell Holmes
CHARACTER SUPERVISOR
Bill Wise
SETS SUPERVISOR
David Munier
EFFECTS SUPERVISOR
David MacCarthy
TECHNICAL PIPELINE SUPERVISOR
John Warren
CHARACTER MODELING LEAD
Jason Bickerstaff
CHARACTER SHADING LEAD
Athena Xenakis
SET MODELING LEAD
Kristifir Klein
SET SHADING LEAD
Christopher M. Burrows
SET DRESSING LEAD
Derek Williams
CROWDS SUPERVISOR
Mark T. Henne
RENDERING SUPERVISOR
Susan Fisher
"DOWN TO EARTH" Music By
Peter Gabriel and Thomas Newman
Lyrics By
Peter Gabriel
Performed By
Peter Gabriel, Featuring the Soweto Gospel Choir
CASTING BY
Kevin Reher, Natalie Lyon
CAST
WALL•E
Ben Burtt
EVE
Elissa Knight
Captain
Jeff Garlin
Shelby Forthright, BnL CEO
Fred Willard
Auto
Macintalk
M-O
Ben Burtt
John
John Ratzenberger
Mary
Kathy Najimy
Ship's Computer
Sigourney Weaver