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Toy Story 2


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Toy Story 2


 

Buzz, Woody, and their friends are back as Andy heads off to Cowboy Camp, leaving his toys to their own devices.  Things shift into high gear when an obsessive toy collector name Al McWhiggin, owner of Al's Toy Barn, kidnaps Woody.  At Al's apartment, Woody discovers that he is a highly valued collectible from a 1950s TV show called "Woody's Roundup."  He meets the other prized toys from the show:  Jessie the Cowgirl, Bullseye the Horse, and Stinky Pete the Prospector.  Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match, and Woody has to decide where he and his heart truly belong.


Trailers


New Challenges

Deciding Toy Story deserved a sequel was easy. Then things got challenging. Disney had green-lit Toy Story 2 as a direct-to-video production. An enthused Pixar team got it upgraded to full theatrical release. But when John Lasseter decided the sequel wasn’t yet up to Pixar standards, Disney refused to push back the release date. If Pixar wanted to start over, it had nine months to deliver a finished product, a process that typically took two years. It would test everything Pixar was made of.

Sleep Deprevation Lab

The Movie Vanishes

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Character Design


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Character Design


Toy Story 2 reunited an already beloved cast, and new rendering tools literally gave them more texture. The most important new characters, Jessie, Bullseye, and Stinky Pete, had to be compelling enough to lure Woody away from Andy. And minor characters posed unexpected challenges. Some had been built quickly for non-emotive roles in Toy Story. “When we brought them back for Toy Story 2, we looked at the script and said, 'oh jeez, we have to make them run across a conveyor belt, and they don’t have legs that work!',” recalls animator Glenn McQueen.


Toy Story 2 marked the third Pixar film in a row to feature a score by Randy Newman. Asked to write a song from a toy’s point of view, Newman responded with “When She Loved Me.” Sung for Jessie by Sarah McLachlan, it earned an Academy Award® Best Song nomination. According to John Lasseter, Jessie’s song was “the most significant change in the movie.”

Scoring

Jessies Song


Woody

Of all Andy's toys, Woody seems to be the one who most questions his existence, whether it's as Andy's favorite, a toy destined for the landfill, or a hot collectible. Luckily, Woody comes to his senses before choosing to retire to a museum in Japan.

 

 

Buzz Lightyear

The toy gang's fearless Space Ranger has come down to Earth a bit since his last outing. In fact, Buzz finds himself in an ironic predicament when he must explain to a store display Buzz that they're "just toys."

 

Jessie

It's no wonder this cowgirl gets the blues. Her beloved owner gave her up to charity, she was imprisoned in a dark storage box for years, and now a cowboy from her past is asking her to take risks just when life was starting to get easy. But, Jessie's a toy at heart and would do anything to give joy to a little girl again.

 

Bullseye

This toy horse rides like the wind, especially when it's Woody giving the command. In a 21st-century real-life version of the 1950s TV episode "Woody's Finest Hour," Bullseye must gallop like crazy to rescue Jessie and Woody from a speeding plane.

 

Mrs. Potato Head

Mr. Potato Head®'s "sweet potato" lives up to her nickname as an affectionate and lovingly overprotective toy. She puts her spud's storage compartment to good use, making sure he has his "angry eyes" handy for the rescue mission, just in case.

 

Weezy

Every toy's worst nightmare has happened to this broken squeak-toy penguin. Relegated to the dusty top shelf in Andy's room, Wheezy finds he's got a friend in Woody, who risks life and limb to come to his pal's res

 

The Prospector

Spending a lifetime on a dime-store shelf while every other toy in the Roundup Gang gets sold can make a toy bitter. When the Prospector's waiting in boxed "mint condition" finally pays off, he won't let anything keep him from immortality.

 

Emperor Zurg

The ultimate force of evil in the galaxy, terrifying tyrant Emperor Zurg is unswerving in his quest to destroy his enemy Buzz Lightyear.

 

Al

The shifty proprietor of Al's Toy Barn will do anything to complete his collection of Woody's Roundup toys. His dream of selling his valuable menagerie to a museum nearly comes true when he finds Woody, complete with the elusive hat.

 
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World Design


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World Design


 

While the original stayed fairly close to home, Toy Story 2 chose larger worlds to explore. The filmmakers crafted an elaborate past life for Woody as the hero of a black-and-white TV show, Woody’s Roundup. Buzz Lightyear enjoyed an epic battle on a distant planet. The relative safety of Andy’s neighborhood was abandoned for the daunting adventure of crossing a busy downtown street.

Sound Design


Al's Apartment

Although Al is surrounded by toys, he has a different point of view than Andy. Al is an adult, not a kid, and his only relationship with toys involves a profit motive. The filmmakers established the distance between their worlds by giving Al a small apartment in an imposing high-rise, where the colors were more drab, the lighting was dim and artificial, and air vents would be seen as escape routes.

 

Al's Toy Barn

For the cast of Toy Story 2, the trip to Al’s Toy Barn was both perilous and otherworldly. Using only modest exaggeration, the filmmakers presented the retail toy store as towering and awe inspiring, especially when viewed from the very low angle of the characters. It also provided Buzz the existential experience of confronting himself, facing hundreds of identical Buzz Lightyears still in their packages.

 

Woody's Roundup

A crucial story element involved Woody discovering his past life as a TV star. Delving back to the early days of black-and-white television, the Pixar team envisioned Woody’s Roundup in the primitive marionette format of the day. To capture that authenticity, the crew enlisted various CGI processes to make the vintage television footage look not only old but also like it had been stored in a garage.

 

Zurg's Fortress

Just as Woody was given a backstory for the sequel, Buzz Lightyear had his own world created for Toy Story 2. The opening sequence allowed the filmmakers to launch Buzz into a wildly over- matched battle on the distant planet ruled by his archnemesis. The space adventure would be revealed as a video game within the movie, but it established the character of evil Emperor Zurg, who would later pose a real threat to Buzz and friends.

 

Airport

For Toy Story 2’s dramatic climax, the race led to the Tri-County International Airport. The rescue involved two devices that would be featured in other Pixar films: a Pizza Planet delivery truck and a vast, byzantine world of conveyance systems. In the end, it's Woody’s old-fashioned cowboy heroics that prevail over the
modern jetliner.

 

Colorscripts

A colorscript is a sequence of small pastel drawings or paintings used to emphasize color in each scene and establish a film's
visual language.

Ralph Eggleston set the visual style for Toy Story with his original colorscript. Production Designer Bill Cone expanded on it for Toy Story 2. It’s writing a symphony where the dynamics of the plot are reflected in the dynamics of light and color,” offers Cone.The expression of light and color in storytelling is a bottomless well of inquiry. You won’t run out of ways to express mood and emotion through those qualities.

 
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Awards


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Awards


Academy Awards
Nominated for Music (Original Musical or Comedy Score)
Randy Newman
"When She Loved Me"

Annie Awards
Winner for Outstanding Individual
Achievement in an Animated Theatrical Feature

Winner for Outstanding Individual Achievement
for Directing in an Animated Feature Production
John Lasseter
Lee UnkricH
Ash Brannon


Winner for Outstanding Individual
Achievement for Music in an Animated
Feature Production
Randy Newman

Winner for Outstanding Individual
Achievement for Storyboarding in an
Animated Feature Production
Dan Jeup & Joe Ranft

Winner for Outstanding Individual
Achievement for Voice Acting by a Female
Performer in an Animated Feature Production
Joan Cusack

Winner for Outstanding Individual
Achievement for Voice Acting by a
Male Performer in an
Animated Feature Production
Tim Allen

Winner for Outstanding Individual
Achievement for Writing in an
Animated Feature Production
John Lasseter
Pete Docter
Ash Brannon
Andrew Stanton
Rita Hsiao
Doug Chamberlain
Chris Webb


Nominated for Outstanding Individual Achievement
for Character Animation
Doug Sweetland

Nominated for Outstanding Individual Achievement
for Production Design in an Animated Feature Production
William Cone & Jim Pearson

Broadcast Film Critics Association
Winner of Critics' Choice Award for Best Animated Feature

Camie Awards, Inc.
Winner for Character and Morality in Entertainment

Christopher Awards
Winner for Feature Films

Excellence in Media
Winner of Award of Excellence

Future Film Festival
Winner of Gold Pixel for Best Computer Animated Film

Golden Globe Awards
Winner for Best Motion Picture - Musical or Comedy

Winner for Best Song Written for Motion Picture,
Television or Other Visual Media
"When She Loved Me" 
Randy Newman


Winner for Best Musical
Album for Children
"Woody's Roundup"
Riders in the Sky


Nominated for Best Original Song
"When She Loved Me"
Music and Lyrics by Randy Newman


Nominated for Best Country Performance
by a Duo or Group With Vocals
"Woody's Roundup"
Riders in the Sky


Nominated for Best Score Soundtrack
Album for Motion Pictures
Randy Newman

Imagina Film Festival
Winner of Grand Prix Imagina

International Electronic Cinema Festival
Winner of Mayor's Astrolabium Award

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Credits


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Credits


DIRECTED BY
John Lasseter

CO-DIRCTED BY
Lee Unkrich, Ash Brannon

PRODUCED BY
Helene Plotkin, Karen Robert Jackson

EXECUTIVE PRODUCER
Sarah McArthur

ORIGINAL STORY BY
John Lasseter, Pete Docter, Ash Brannon, Andrew Stanton

SCREENPLAY BY
Andrew Stanton, Rita Hsiao, Doug Chamberlin, Chris Webb

MUSIC BY
Randy Newman

FILM EDITORS
Edie Bleiman, David Ian Salter, Lee Unkrich

SUPERVISING TECHNICAL DIRECTOR
Galyn Susman

DIRECTOR OF PHOTOGRAPHY
Sharon Calahan

PRODUCTION DESIGN
William Cone, Jim Pearson

STORY SUPERVISORS
Dan Jeup, Joe Ranft

SUPERVISING ANIMATOR
Glenn McQueen

LAYOUT SUPERVISORS
Rikki Cleland-Hura, Ewan Johnson

SET DRESSING SUPERVISOR
David Eisenmann

ASSOCIATE TECHNICAL DIRECTORS
Oren Jacob, Larry Aupperle

MODELING SUPERVISOR
Eben Ostby

SHADING SUPERVISOR
Brad West

LIGHTING SUPERVISOR
Jean-Claude Kalache

RENDERING SUPERVISOR
Don Schreiter

PRODUCTION MANAGER
Graham Walters

SOUND DESIGN
Gary Rydstrom

EXECUTIVE MUSIC PRODUCER
Chris Montan

CASTING BY
Ruth Lambert, C.S.A. Mary Hidalgo
 

CAST
 

Woody
Tom Hanks

Buzz Lightyear
Tim Allen

Jessie
Joan Cusack

Prospector
Kelsey Grammer

Mr. Potato Head
Don Rickles

Slinky Dog
Jim Varney

Rex
Wallace Shawn

Hamm
.John Ratzenberger

Bo Peep
Annie Potts

Al McWhiggin
Wayne Knight

Andy
John Morris

Andy's Mom
Laurie Metcalf

Mrs. Potato Head
Estelle Harris

Sarge
R. Lee Ermey

Barbie
Jodi Benson

The Cleaner
Jonathan Harris

Wheezy
Joe Ranft

Emperor Zurg
Andrew Stanton

Aliens
Jeff Pidgeon